Ilana Gafni
(310) 779-7497

Email Ilana
In 1994, after several years of exploring Los Angeles' mid-century modern furniture stores on Beverly and La Brea, and hearing names such as Richard Neutra, RM Schindler and Gregory Ain, I had my first encounter with great architecture: It was the Lovell Health House by Richard Neutra and my life would never be the same.

I began driving around town with the bible for architecture aficionados: Los Angeles, An Architectural Guide. The houses I discovered were like pieces of art, peering out from behind walls and trees; some were well cared for and some in desperate need of restoration.

How could I not know about these incredible buildings previously? In 1999, while searching for a property to buy, I met Crosby Doe, the architectural real estate expert. I fumbled past two Schindler houses on my way to buying and restoring a unit at the Avenel Housing by Gregory Ain.

My fascination with Schindler's complex designs continued through my association and docent work at the MAK Center at the Schindler House on Kings Road. As part of the MAK center tours, I have visited dozens of great homes by Schindler, Richard Neutra, John Lautner, Gergory Ain, Harwell Harris, Irving Gill and William Kessling, to name a few.

I joined the office of Crosby Doe Associates as a natural progression to my sales background and love of great architecture.

Like so many others who appreciate great architecture, I feel that these houses are not merely buildings, they are like family. It is unforgivably when one of them is torn down or "remodeled" so extensively that the original design is lost. My mission is to attempt to preserve great architecture as a Crosby Doe real estate agent, and to educate homeowners and buyers in need of guidance with the process.
(310) 779-7497

ilana@crosbydoe.com
 $2,295,000

Honored with the only solo exhibition of an architect's work at The Museum of Contemporary Art, Los Angeles, Schindler is internationally recognized as one of the most important Southern California architects of the 20th Century.

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First offering since 1965. One of Schindler’s most complex hillside designs, each of the building's four apartments has a unique relationship to this corner site.

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The Crowell Residence, 1967, by architect Theodore Pletsch in collaboration with owner/decorator Jean Crowell.

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Manola Court, the Herman Sachs Apartments, 1926-40, Los Angeles County Museum of Art guide # D.4.5.

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First offering: City of Los Angeles Cultural Historic Monument #380, The Kallis-Sharlin Residence, 1946, by architect Rudolph Schindler, with later additions by Josef Van der Kar, and L.A. Twelve architect Leroy Miller, F.A.I A.

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Yew, Inadomi, Sokol, Treweck, Flavin, Ohara, Akai, and Kambara: these are the celebrated Neutra Colony houses at Silver Lake.

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The J.M. Roberts Residence, 1955. In the mid-fifties, the lifestyles afforded by Richard Neutra’s design aesthetic were not readily accepted in the Eastern San Gabriel Valley.

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Los Angeles Historic-Cultural Monument #506. First time on the market since completion in 1950.

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Ain stated: "Architecture is a social art, its esthetic power must be derived from a social ethos." He explored social issues through his progressive views with an emphasis on the flexible use of work, leisure and outdoor space planned to circul

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Streamline Moderne in Los Feliz

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Built over 37 acres of the historic Garbutt-Hathaway hilltop estate, today's Hathaway Hill Estates offers Silver Lake location convenience, round-the-clock guard gated security, privacy, and head-on Downtown Los Angeles city views.

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One of only a handful of Silver Lake houses by William Kesling, the Collins House, expresses the Streamline Moderne form, symbolizing the machine age optimism of the 1930's.

Leased

H. E. Hansen House, Harwell Hamilton Harris, 1951. Harris wrote in 1948 that the "flowering of California architecture is a combination of free minds, love of nature, and an unspoiled countryside."

Leased

Architect Robin Nanney (formerly of Gehry Partners), sensitively restored and modernized this unique 1952 cabin set on a private knoll.

Leased

A thoroughly original blend of architectural styles, this 1925 Spanish was reinterpreted by designer Fritz Haeg in 2004.